The first outline was much zanier. Instead of a long-lost song, the MacGuffin was a long-lost Elvis film that had been canned under the orders of Colonel Parker. Michael, traveling cross-country to see the film “because he’s seen every Elvis movie and has to see the last one,” ran across a deluded fan who claimed to be the daughter of Elvis and Ann-Margret, a biker gang, a mega-rich collector of rock and roll memorabilia, and a duo of bumbling private investigators hired by AJ’s parents to find her when she stows away in the back of Michael’s truck (unbeknownst to him.) Oh, did I forget to mention? AJ, now a reporter, in the early drafts was a teenager on the run and in its earliest incarnations, “Graceland” attempted to blend the silliness of Willy Wonka and It’s a Mad Mad Mad Mad Mad World with echoes of the grounded, on-the-road cinematic sensibility of Terence Malick’s “Badlands”… all under the umbrella of a celebration of the phenomenon that is the fandom of Elvis Presley.
Four years ago today, I was still smack in the middle of editing The Incredible Search for Jamie Klotz’s Diary, trying desperately to prove that I could make a movie, period, let alone a good one or coherent one. I had announced Graceland at the premiere of Jamie Klotz’s Diary. It was my “end goal.” Knowing how long and how many failed projects it took before I got to Jamie Klotz, I have to confess I honestly don’t know if I ever thought I’d really actually make Graceland. If I was going to follow this dream, why not shoot as far as I could imagine?
A few days ago I sat down and watched Jamie Klotz’s Diary for the first time in about a year. Whenever I have a new project that’s about to be released, I always end up watching old projects to just reflect. I’d forgotten how funny that movie was, but also, too, how endearing its low-budget workarounds were. I still saw so many things I wish I could just back go in and fix – visual effects, camera moves, sound quirks. Then I switched over and watched Graceland one more time, looking for any possible reason to make any last minute changes or fixes. I couldn’t find one. It is literally as good as it is going to get. Short of re-shooting, I couldn’t fix anything else… and I wouldn’t want to anyway.
So here I am, trying to savor every moment of this, because I don’t know when the next one will be, or if there WILL be a “next one.” I’ve got ideas, some of which I might even talk about at the premieres during the Q&A, but I’m not committed to anything. I’m going to spend a lot of time next week thanking people. I mean every word of it, and if I forget anyone, I’m incredibly sorry. This has been an amazing four years and it couldn’t have been done without help.
My only hope now is that it resonates with the right people.
I have a shelf at home on which I have every single one of Elvis’ movies, from Love Me Tender to Change of Habit, plus the documentaries, TV specials, and a good number of Elvis-related movies that don’t star the man himself; Well known stuff like Walk the Line and Elvis & Nixon alongside more obscure stuff like Lonely Street and Elvis Has Left the Building.
Now I’ve gotta make room on that shelf for Never Been to Graceland.
Exciting news! Never Been to Graceland, after 4 years of work, will finally premiere August 16-17 at the Hot Springs Theatre in Hot Springs, SD and August 18-19 at Seraphim Theatrical Entertainment in Rapid City, SD!
On August 16, it will also be available on Amazon through Amazon Video Direct, which is arguably even more exciting!
It is an understatement to say that after 4 years, I have a lot of mixed feelings about finally unleashing the film onto the world! I will have to write about them soon… Just wanted to get the word out!
It’s here! One year of production, four years of development and 16 years of inspiration has led to this! Never Been to Graceland is almost complete!
We have officially launched an IndieGoGo to help facilitate pre-orders – check it out here and get your order in!
So where does the title of Never Been to Graceland come from? Well, from a key line during an exchange of dialogue that has been included in every iteration of the story going all the way back to the original August 12, 2013 first story treatment. (Which is not included in the above drafts as the paragraph it appears in there also includes story spoilers that also carried through all drafts and versions.)
For all of the changes to the story, major and minor, including changing the MacGuffin from a lost Elvis movie to a lost Elvis song, the addition and subsequent subtraction of an array of secondary characters, side plots, and fully fleshed out backstories for nearly all the characters… AJ – who evolved from snarky 17 year old hipster to mid-20s lifestyle journalist – has always been the one to ask if Michael’s been to Graceland and his response has always been the same.
The idea of the phrase “never been to Graceland” is to not only set Michael as a character apart from what one would consider an “average” Elvis fan, but also to signal to the audience that their expectations about what they think about the film, the characters and Elvis (both the man and the celebrity) might be challenged.
After a late-night editing session, we are one step closer to being finished with the film! We are about one last edit away from a picture lock and we are sitting down this weekend to begin work on the sound mix and music! We cannot wait to share this film with you and August cannot come soon enough! Until then, please enjoy another preview clip, this time featuring David Scott and Harland Allen as Bryan and Larry!